TRANSMEDIA TRENDING: the fashionable story
How likely is it that your profession will be changed through the growth of UGC and/or transmedia story-telling?
This week Digital Media & Society put the theory
spotlight on Creative Industries and User-generated Content. Furthermore we investigated
the growth of User-generated Content (or UGC) and its relation to transmedia
story-telling. This blog post aims to highlight the link between transmedia
story-telling and my (future) profession; fashion and fashion journalism.
Originally this blog aimed to focus on the likelihood of my profession being
changed through the growth of UGC and/or transmedia story-telling. However, I
feel the more topical and current approach would be how my profession has
already been changed through the growth of these two theories. As I aim to
prove evident that the changes to my industry are not just likely but well
under way.
Jenkins (2007)
discusses the way transmedia story-telling is a way in which information is
“dispersed systematically across multiple delivery channels for the purpose of
creating a unified and coordinated entertainment experience.” Jenkins (2007) further adds that each medium individually makes its own unique contribution as
elements of a ‘fictional’ story. In relation to the industry of fashion journalism,
the UK luxury label Burberry, is currently experimenting with multiple media
delivery channels in an effort to create the ultimate purchase experience.
Burberry CEO, Angela Ahrendts, wants to “harness technology to spread the word
about its creations” (Economist, 2012). Recently Burberry’s share price dropped
by 18% leaving creative director, Christopher Bailey, to test drive use of
transmedia story-telling by sending models down the catwalk at London Fashion
week while also streaming live to Burberry stores and personal laptops
(Economist, 2012). The Economist (2012) also reports that Burberry garments are
now being fitted “with interactive
screens and RFID (radio frequency identification) tags, which mean that
customers can flash clothes in front of interactive screens to see how a
handbag detail or raincoat lining is made.” Each medium is aimed to individually contribute, in this case to
the Burberry image, in a unique way as Jenkins (2007) highlighted as being
ideal to “the unfolding of the story”. Ahrendts most controversial turn to
technology comes with ‘customer 360’ which will “allow Burberry to record
(customers) buying history, shopping preferences and fashion phobias in a
digital profile, which can be accessed by sales staff using hand-held tablets”
(Economist, 2012). With the many different media devices employed in Burberrys
new strategy, it makes sense why transmedia story-telling can also be known as
cross-media storytelling (Wikipedia, 2012).
Burberrys Christopher Bailey found himself falling into the
category of ‘spreadable media’ using popular user-generated content tool
YouTube to promote the live streaming of Burberry’s 2012 collection.
By using these multiple audience entry points (Jenkins, 2007) Burberry inevitably will expand their market as each media device
contributed added comprehension.
Flew (2008) specifically refers to user-generated content by
the way users are “both remediators and direct producers of new media content”
and their engagement in “new forms of large-scale digital media spaces.”
Similarly Wikipedia (2012) highlights the way productions of “new technologies
that are accessible and affordable to the general public” are a reflection of
the expansion of UGC onto applications including “news, gossip and research”. Wikipedia (2012) continues that in reference to UGC, “all digital media technologies are included, such as question-answer databases, digital video, blogging, podcasting, forums, review-sites, social networking, social media, mobile phone photography and wikis." This directly
links to the rise of blogging in the world of fashion journalism where
transmedia storytelling is key to success. Success built by expanding a fashion
journalists personal market by creating multiple audience entry points for a
more complete universe.
Fashion journalist and New
York Times best selling author, Derek Blasberg, is familiar with the benefits
of user-generated content to sell to a digital economy. The likelihood of the
fashion journalism profession being changed by the growth of UGC and transmedia
story-telling is confirmed with the actions of bloggers like Blasberg.
A
general requirement of user-generated content is to creating online content to
provide the facility for amateurs to publish their own content (Wikipedia, 2012). Without further ado I give you; the blog. Blasberg has jumped on the
trend with his very own entitled ‘Mr Blasberg’ (2012). This business model of
cross media story telling incorporated interviews, opinion pieces, personal/professional
photographs and self-made youtube clips. Blasberg recognizes the increasing
importance of creative industry to the economic well-being and as Wikipedia (2012) notes that "human creativity is the ultimate economic resource” its
no wonder why the best selling author and editor has capitalized on the
transmedia trend to dust off his storytelling hat and start blogging.
References:
Blasberg, D. (2012). MY
CAMERA IS THE MOST AMAZING PIECE OF CRAP. Mr. Blasberg. Retrieved October
17, from http://www.mrblasberg.com/
Economist. (2012). Burberry
Goes Digital. The Economist. Retrieved October 17, 2012, from http://www.economist.com/node/21563353
Flew, T. (2008). New
Media: An Introduction. South Melbourne, Victoria: Oxford University Press.
http://terryflew.com/
Jenkins, H. (2007). Transmedia
Storytelling 101. Confessions of an Aca-Fan: The Official Weblog of Henry
Jenkins. Retrieved October 17, from http://henryjenkins.org/2007/03/transmedia_storytelling_101.html
Wikipedia. (2012). Creative
Industries. Wikipedia: The Free Encyclopedia. Retrieved October 17, from http://en.wikipedia.org/wiki/Creative_industries
Wikipedia. (2012). User-generated
content. Wikipedia: The Free Encyclopedia. Retrieved October 17, from http://en.wikipedia.org/wiki/User-generated_content
Wikipedia. (2012). Transmedia
storytelling. Wikipedia: The Free Encyclopedia. Retrieved October 17, from http://en.wikipedia.org/wiki/Transmedia_storytelling
YouTube. (2011). Christopher Bailey: Invitation to Watch
Live Stream. YouTube. Retrieved
October 17, from http://www.youtube.com/watch?v=TYScB1uJt5E
YouTube. (2012). Derek
Blasberg’s Camera Is An Amazing Piece of Crap. YouTube. Retrieved October
17, from http://www.youtube.com/watch?v=K-6LehBvb7s
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